Manuela is a Digital Illustrator from Napoli, Italy. She started as a Web Designer but then followed her primary passion: Adobe Illustrator. Drawing is her … More about Manuela↬
Drawing a cartoon is no trivial pursuit. It turns us into a director, writer, narrator. Through a cartoon or comic, you tell a story that takes place in a certain time, a certain environment, with certain characters. This is why you will learn here not just how to draw a cartoon in Adobe Illustrator, but how to decide on character, place and situation. Before grabbing your pencil or software tool, ask yourself, “What will be my topic?” How many characters you will use, and who will they be? What background will they move against? What era will they live in? In what scene will you put them? Through the steps in this tutorial, I will explain to you my own choices. Let’s begin.
Drawing a cartoon is no trivial pursuit. It turns us into a director, writer, narrator. Through a cartoon or comic, you tell a story that takes place in a certain time, a certain environment, with certain characters.
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This is why you will learn here not just how to draw a cartoon in Adobe Illustrator, but how to decide on character, place and situation. Before grabbing your pencil or software tool, ask yourself, “What will be my topic?”
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The topic I’ve chosen for my cartoon relates to a recent discovery. For the first time, we’ve picked up a signal caused by gravitational waves. Albert Einstein first theorized the existence of gravitational waves in 1918. Exciting!
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Now, adjust the artboard by going to “Object” → “Artboards” → “Fit to Artwork Bounds.” The dimensions of your artboard should now match the file you’ve just inserted: 2305 × 3250 pixels.
Now, we need to trace the image with the Pen tool (P), similar to how I showed you in my previous tutorial.
What we are going to learn here is not the mere tracing of shapes, but rather how to trace the black outline of a drawing.
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We do this because we are drawing a cartoon, and cartoons usually have this black outline around the shapes to distinguish them.
), and put the cursor in the empty space between the two outlines we created before. You will see something like a transparent background, which indicates the space where the Shape Builder tool will create a shape.
For the little shapes, like the forehead wrinkles, you can just draw a closed shape and then swap the stroke with the fill.
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This is our work so far. Notice how I’ve closed the paths, even if they cover the face. I did that because we will be able to fill the shape with color with just a click, simply by creating a closed path.
It’s a little different for the hand holding the old phone. Here, you have to draw the hand in two shapes: the fingers and the palm. Do it using Pencil Tool (N).
After you’ve set the tool this way, it will select all objects with the same fill color. Just click on your work to see it in action.
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Double-click again on the Magic Wand Tool (Y) and select “Stroke Color, ” setting the tolerance to 20. Click on your image, and all strokes with the same color will be selected now. Set the color to #000000.
Select the head with the Selection tool (V), and then click on Live Paint Bucket (K). Click on the face to fill it with the selected color.
Do the same with the other shapes, giving them the same color: ears, chin, neck, hands. Remember that you have to select a group of objects first and then color them with the Live Paint Bucket (K), or else it won’t work.
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Note: If you are not able to color something with the Live Paint Bucket (K), it probably means your object has open paths. It happened to me with the fingers:
) to color the internal shape of the fingers. Set the color to #FBD2B7, set the brush’s weight to 30 points, and fill the fingers and other shapes that have open paths.
When you color in this way, the color is positioned above the path. To move it under the path, just select the color shape and hit
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If other objects are overlying the fingers, select them and move them down the same way you did for the fingers’ color. Or you can right-click and select “Arrange” → “Send Backward” to send them back.
When we think of Einstein, the first objects that come to mind (well, to my mind) are a laboratory and a blackboard.
), and then click on “New Artboard” in the menu. You will get a copy of your first artboard with the same height and width.
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It’s time to create the room. We need a floor and two walls. The tones and colors of the room will be similar because the room is a background.
The character will stand out because of the different colors and the thick edges. The uniform tone of the background will serve not to distract from what is happening.
Draw the front wall with the Rectangle tool (M). Divide it into two colors, so that we have a more dynamic background. Use #53649C for the bottom rectangle, and #424974 for the top rectangle.
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Finally, insert the side wall. You can use the Rectangle tool again. Then, put your shape under the floor by right-clicking, then “Arrange” and “Send Backward” (or
In a cartoon laboratory you will find strange machinery, buttons, screens and handles. Let’s create our first machine, a screen and a handle.
Finally, grab the Pen tool again and draw a zig-zag line, with the color set to #D8D89C and the stroke weight set to 5 points.
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Now, create another rectangle with dimensions of 160 × 372 pixels and the color set to #6A75AA. Put it on the side of the first one.
On the other side, create two circles with the Ellipse Tool (L), with the same dimensions as the knob and the color set to #6A75AA.
With both circles selected, go to the Pathfinder panel and click on “Minus Back” (or by selecting “Effect” → “Pathfinder” → “Minus Back”). You will get this shape:
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Repeat the same steps to create our second machine. Draw some shapes, such as trapezoids and circles, with the color set to #6A75AA.
Do the same for our third machine, this time with rectangles, circles and squares. You can create every single object by repeating the previous steps.
With the Direct Selection Tool (A), select the resulting shape. Some little circles will show up, giving you dynamic corners. Click and drag to the bottom right the ones shown here:
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With the Pen tool (P), create a curved shape, with a darker side. This will be the base of another knob, the colors being #787FAD and #424974:
Create a curved line in the center of the shape, again using the Pen tool. Set the stroke weight to 16 points.
I’ve created a couple of objects on the table as well, a book and a lamp, simply by using shapes, rectangles and the Ellipses tool.
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Grab the Pencil Tool (N) and write some formulas (mine are almost all made up!). Set #e6e6e6 as the color. When you’re done, select what you’ve written, go to the Brushes panel, and click on the little arrow on the top right:
Select “Open Brush Library” → “Artistic” → “ArtisticChalkCharcoalPencil, ” and select the last type of charcoal, which will give you a beautiful charcoal effect on the blackboard.
The period in which our cartoon is set is about 1920. Einstein’s theories about gravitational waves date back to 1918. For this reason, I’ve inserted an old telephone, the kind Einstein would talk on.
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I wanted to put Einstein in a scene in which he’s talking with aliens, who are giving him this information. (It is a cartoon after all — it should be a little funny!)
With the Rounded Rectangle Tool (M), draw a rectangle, and round its corners until they are completely curved. Set the fill to #d6d989 and the stroke to #000000.
I hope you’ve liked this tutorial. Feel free to leave a comment below, and show us your cartoon! Last but not least, some of you were asking a high-res image of Einstein. So here you go:Cartoon characters are used in animated movies, video games, ads, and promotional material, etc. and Adobe Illustrator is one of the best tools to create them.
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If you want to venture into cartoon character development for a project or just for fun, look at this Adobe Illustrator tutorial list. The list has a lot to offer from recreating famous cartoon characters to creating a new one from scratch. So take your pick and start learning!
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