Le Chevalier C. Auguste Dupin [oɡyst dypɛ̃] is a fictional character created by Edgar Allan Poe. Dupin made his first appearance in Poe's 1841 short story The Murders in the Rue Morgue, widely considered the first detective fiction story.
Dupin is not a professional detective and his motivations for solving the mysteries change throughout the three stories. Using what Poe termed ratiocination, Dupin combines his considerable intellect with creative imagination, ev putting himself in the mind of the criminal. His talts are strong ough that he appears able to read the mind of his companion, the unnamed narrator of all three stories.
Poe created the Dupin character before the word detective had be coined. The character laid the groundwork for fictional detectives to come, including Sherlock Holmes, and established most of the common elemts of the detective fiction gre.
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Dupin is from what was once a wealthy family, but by a variety of untoward evts has be reduced to more humble circumstances, and contts himself only with the basic necessities of life.
He now lives in Paris with his close frid, the anonymous narrator of the stories. The two met by accidt while both were searching for the same rare and very remarkable volume in an obscure library.
Meaning that he is a knight in the Légion d'honneur. Dupin shares some features with the later gtleman detective, a character type that became common in the Gold Age of Detective Fiction.
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He investigates another murder in The Mystery of Marie Rogêt. This story was based on the true story of Mary Rogers, a saleswoman at a cigar store in Manhattan whose body was found floating in the Hudson River in 1841.
Dupin's final appearance, in The Purloined Letter, features an investigation of a letter stol from the Frch que. Poe called this story perhaps, the best of my tales of ratiocination.
Throughout the three stories, Dupin travels through three distinct settings. In The Murders in the Rue Morgue, he travels through city streets; in The Mystery of Marie Rogêt, he is in the wide outdoors; in The Purloined Letter, he is in an closed private space.
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Dupin is not actually a professional detective, and his motivations change through his appearances. In The Murders in the Rue Morgue, he investigates the murders for his personal amusemt, and to prove the innocce of a falsely accused man. He refuses a financial reward. However, in The Purloined Letter, Dupin purposefully pursues a financial reward.
Dupin's method [ edit ] But it is in matters beyond the limits of mere rule that the skill of the analyst is evinced. He makes in silce a host of observations and inferces....— Edgar Allan Poe, The Murders in the Rue Morgue
While discussing Dupin's method in the light of Charles Sanders Peirce's logic of making good guesses or abductive reasoning, Nancy Harrowitz first quotes Poe's definition of analysis and th shows how Poe the semiotician is running the gamut of possibilities here—inferces, reasoning backwards, visual, ssual and aural signs, reading faces. Playing cards with the man would have be an interesting experice.
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There is considerable controversy about the philosophical nature of Dupin's method. According to biographer Joseph Krutch, Dupin is portrayed as a dehumanized thinking machine, a man whose sole interest is in pure logic.
According to Krutch, Dupin's deductive prowess is first exhibited wh he appears to read the narrator's mind by rationally tracing his train of thought for the previous fifte minutes.
He employs what he terms ratiocination. Dupin's method is to idtify with the criminal and put himself in his mind. By knowing everything that the criminal knows, he can solve any crime. His attitude towards life seems to portray him as a snob who feels that due to his aptitude normal human interaction and relationships are beath him.
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Dupin's method also emphasizes the importance of reading and writing: many of his clues come from newspapers or writt reports from the Prefect. This device also gages the readers, who follow along by reading the clues themselves.
Poe may have gott the last name Dupin from a character in a series of stories first published Burton's Gtleman's Magazine in 1828 called Unpublished passages in the Life of Vidocq, the Frch Minister of Police.
Themselves borrowed from The Three Princes of Serdip, an Italian rdition of a famous poem called Hasht Bihisht writt by the Persian poet Amir Khusrau, which itself is based on the Haft Paykar by Nizami, writt around 1197 AD, which in turn takes its outline from the earlier epic Shahnameh writt by the Persian poet Firdausi around 1010 AD.
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In writing the series of Dupin tales, Poe capitalized on contemporary popular interest. His use of an orangutan in The Murders in the Rue Morgue was inspired by the popular reaction to an orangutan that had be on display at the Masonic Hall in Philadelphia in July 1839.
It is sometimes speculated that Poe conceived the idea of Dupin from his investigation of the authticity of an automaton called The Turk, which he published in his essay Mälzel's Chess Player.
C. Auguste Dupin is gerally acknowledged as the first detective in fiction. The character served as the prototype for many that were created later, including Sherlock Holmes by Arthur Conan Doyle and Hercule Poirot by Agatha Christie.
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Conan Doyle once wrote, Each [of Poe's detective stories] is a root from which a whole literature has developed... Where was the detective story until Poe breathed the breath of life into it?
Many tropes that would later become commonplace in detective fiction first appeared in Poe's stories: the ecctric but brilliant detective, the bumbling constabulary, the first-person narration by a close personal frid. Dupin also initiates the storytelling device where the detective announces his solution and th explains the reasoning leading up to it.
Like Sherlock Holmes, Dupin uses his considerable deductive prowess and observation to solve crimes. Poe also portrays the police in an unsympathetic manner as a sort of foil to the detective.
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The character helped established the gre of detective fiction, distinct from mystery fiction, with an emphasis on the analysis and not trial-and-error.
Brander Matthews wrote: The true detective story as Poe conceived it is not in the mystery itself, but rather in the successive steps whereby the analytic observer is abled to solve the problem that might be dismissed as beyond human elucidation.
In fact, in the three stories which star Dupin, Poe created three types of detective fiction which established a model for all future stories: the physical type (The Murders in the Rue Morgue), the mtal (The Mystery of Marie Rogêt), and a balanced version of both (The Purloined Letter).
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Fyodor Dostoevsky called Poe an ormously talted writer and favorably reviewed Poe's detective stories. The character Porfiry Petrovich in Dostoevsky's novel Crime and Punishmt was influced by Dupin.
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Dupin (played by Joseph Cott) is a character in the 1951 Fletcher Markle film The Man with a Cloak. Dupin's true idtity is revealed at the d of the film to be Poe himself.
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In 1988 BBC Radio broadcast two plays about featuring Dupin and Poe. The Real Mystery of Marie Roget features Dupin (Terry Molloy) visiting Poe (Ed Bishop) during his final night of life, to discuss the Mary Rogers murder. The Strange Case of Edgar Allan Poe depicts Dupin (John Moffatt) investigating the death of Poe (Kerry Shale).
In May 2004, Dupin appeared on stage in Murder by Poe, an Off-Broadway production dramatizing a series of Poe stories, including The Murders in the Rue Morgue. Dupin was played by Spcer Aste.
In the comic series Batman Confidtial, the creation of Batman's crime-solving super-computer which is linked to Interpol, FBI, and CIA databases is introduced. Commonly known as the Bat Computer, it is originally nicknamed Dupin, after Batman's hero.
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In childr's book The Vile Village, Count Olaf disguises himself as Detective Dupin in order to falsely accuse the protagonists of murder.
In the comic series The League of Extraordinary Gtlem, an aged Dupin appears as a minor character; we first meet him shortly after Mina Murray and Allan Quatermain arrive in Paris, France in late June 1898.Edgar Allan Poe character names range from the familiar to the obscure. Some feel drenched in Gothic vibes, haunting characters doomed to tragic fates. Others aren’t quite so darkly romantic.
Poe dabbled in humor and satire. And he penned detective fiction before the genre even had a name. C. Auguste Dupin, his crime-solving hero, inspired many a famous character, including Sir Arthur Conan Doyle’s Sherlock Holmes.
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His characters, too, include household names, as well as rarities. And while some would be daring, even hard to wear, a few have reached the heights of popularity in the English-speaking world.
Poe didn’t feel the need to give a daring name to every person he created. In several of his best known works, like “The Pit and the Pendulum” and “The Black Cat, ” the narrator and other
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