Job Overview: Our bespoke animation studio, situated on the coast in South West England (United Kingdom) is steadily growing. We're just approaching our 5th year in business and we're looking for 1 or 2 new motion designers to join the Stormy ranks.
We're looking for a talented, driven motion graphics and character animator. Whilst it would be great if you were local and able to work in our studio in Plymouth, UK. We're also open to the right, highly driven candidate working remotely.
We're keen to find someone with fantastic illustration skills, clear modern style to help continue to raise the quality of output our studio produces.
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We're always balancing speed and quality of production and keen to find someone with fantastic illustration skills, clear modern style to help continue to raise the quality of output our studio produces.
Stormy Studio produces a wide range of work from techy 3D and VFX, to 2D explainer videos mixing After Effects and Cel Animation. We also do the odd spot of filming, but only when it complements a creative animation style.
FYI... We're currently producing a series of 2D videos to raise awareness of Malaria, a series of 2D videos promoting renewable energy for a national electricity firm, a 3D instructional guide for a product design company. Plus we have many other exciting (and not so exciting) bits on the horizon too...
Ba (hons) Visual Effects And Motion Graphics
Our studio strives to work a 4 day week whenever possible. Ensuring the team all stay excited, maintain a passion for the work and find a good work/life balance. We do arrange days to ensure projects move forward throughout the week.
The role may begin as freelance with a real view to becoming a part-time position. Then as the studio grows and if interested a full-time position would be offered.
If working remotely we'd check in now and then via skype/zoom/WhatsApp calls. Chat via Slack and share files and projects via Dropbox.
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Bonus Skillset: Photoshop • 3D Package knowledge • After Effects 3rd Party Plugin Experience (i.e. element 3D, Plexus, Stardust). Cel Animation • Video Editing • Sound Design (*Adobe Audition).
Get in touch Please send a concise, 1 page CV, link to showreel/examples of your animation and design work. Highlight your skill level in After Effects and Design. Plus please let us know your current location and availability. Email:
Worked on a series of videos for BE to promote the companies positive stance on renewable energy usage and highlight the impact of the climate emergency.
Motion Graphics Job Description
Through a 'design lead' approach, our creative team were able to arrive at the vibrant imagery and animation seen throughout the business animation. Something which was used to great affect across the series of videos.
Based on the coast in Plymouth, Devon, UK. Our low overhead costs, local talented motion graphic designers and production team mean we are very competitive on both price and quality.
Founded in 2013, we work on projects covering a wide range of corporate industries across the UK and overseas (with many clients in London and the US).The profession of motion graphics design is fairly new on the design front. Technology-enabled design professions are growing. And there are so many different types of designers out there, it’s tricky to keep them all straight! There are graphic designers, web designers, user experience designers, user interface designers—the list goes on
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“Motion graphics is a growing field, and it is not likely to ebb anytime soon, ” says designer Paul Joseph. “Part of this is because the high-tech looks used in motion pictures get old very quickly and new fresh approaches are always in demand.”
As creative filmmakers and video producers expand both their imaginations and their budgets for impressive technology and design, skilled motion graphics designers are essential. Without these savvy, innovative artists, your favorite shows, movies, and even websites and apps would look very different.
But what exactly does this profession entail? And how can you get started in this creative career? We connected with a handful of experts currently working in the field to answer this question and more about the world of motion graphics design.
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Motion graphics designers, sometimes just called motion designers, create artwork for the web, television or film. This could include movie clips, trailers, commercials, title sequences, etc. They use visual effects, animation and other cinematic techniques to bring life to their creations. They design graphics that are in motion—just as their title suggests.
By animating graphics and creating vivid visual effects, motion graphics designers bring films, websites, commercials, and more to an entirely new level. With the increasing prevalence of video content online, a motion graphics designer could find themselves working on almost anything, on any digital platform.
Additionally, there may be opportunity outside of these more traditional applications of motion graphics. Jose Andres, creator community manager at Enklu Cloud, sees augmented reality (AR) and virtual reality (VR) as the next major expansion into the world of design technology. “I've ventured further into the world of interactive technology, ” Andres says. “The tools I have access to now have changed my design process immensely. I can start laying out a concept and create assets with AR & VR tools way quicker than I ever could using traditional desktop software.”
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Depending on the type of motion graphics you enjoy pursuing, you could end up working on a big-ticket film in Hollywood or freelancing the opening intro for a new iPhone app.
According to the Bureau of Labor Statistics (BLS), animators and multimedia designers typically work in motion picture offices, computer systems and software companies and advertising agencies.
This industry also had a very high percentage (59%) of self-employed workers in 2018, indicating that remote work arrangements are very possible in the field.
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“Our studio specializes in branding and graphic design services for broadcasters on Twitch®, YouTube®, and Facebook Gaming®, ” says Nick Avola of Visuals by Impulse. Avola explains that all of their motion designers work remotely. “We find it produces happier, more effective artists. Our team can manage their own time, at their own will. Distractions are minimized, and designers can get ‘in the zone.’”
That said, there can be drawbacks. Losing the convenience of collaboration is one downside to the remote-work arrangement. “Teamwork is often more effective when creators are working face-to-face, ” Avola says. “Not to mention the challenge of time-zones.”
“Calligraphy and 2-D art still have their place, ” Joseph says. “But most motion graphics are now based on 3-D modeling, and that is a huge part of the future of graphics.” Joseph explains that understanding points in 3-D space, lines connecting those points and polygons made up of those lines comes from working with modeling programs.
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“A good 3-D designer understands motion and timelines, ” Joseph says. “Objects can move. So can light sources. The camera, which is the view of the audience, can also move. The designer can choreograph complex movements, one element at a time, and spin them off in multiple ways.”
According to Andres, organization is crucial for both freelancers and team members. “Keeping a tidy file with organized assets, dependencies, layers, etc., becomes more crucial the bigger your projects become, ” Andres says.
“Organization and multi-tasking are critical attributes we look for in new motion designers, ” Avola says. “You’ll be managing a lot of layers and elements simultaneously. Keep your files neat and tidy, or you’ll pay the price down the line.”
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One of the biggest challenges to creating motion graphics is the fact that it can be incredibly time-intensive. Procedural animation is one way to cut down on that.
“There’s been an awakening of the word ‘procedural’ in recent years, and this trend is set to explode over the next decade, ” Avola says. “Through simple and complex algorithms, procedurally-generated, full animations can be created in a fraction of the time. Work can be tweaked, adapted and revised at ease thanks to automated processes.”
Avola says motion design software is increasingly making use of scripts, expressions, and coding to save time in the creative process. For example, procedural animation allows designers to apply predetermined physics to 3D objects—if two objects collide in an animation at a set speed, the results are predictable and can be modeled appropriately.
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“The audience doesn't see the model, they see the shapes and the images, ” Joseph says. He emphasizes that surfacing is part of making 3D graphics look photo-realistic. “Surfaces can be reflective, shiny, transparent, translucent, rough or refractive. They can also simulate textures or display moving images. The potential is unlimited.”
“A good designer knows what their designs will be used for, ” Joseph says. He emphasizes that video, multimedia, game design and virtual reality are all growing and a possible destination for motion graphics designers. But each different application warrants a different approach. “Understand all of these applications and how to plan for them.”
“Plans change, as do project scope and goals, ” Avola says, explaining that skilled motion designers need to be ready to change their original vision to accommodate client feedback. “Stay humble and roll with the punches.”
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Timing is one of the most difficult and most important skills for a motion graphics designer, according to Avola. “Motion design is a
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