I spent a lot of time on cartoon heads. There's a lot to know about drawing heads. There's just as much to know about drawing the body. By body, I mean the torso and hips.
Cartoon bodies can be simplified so that you don't need to go as deep as you would with the head although, for best results, it's good know how to draw a more realistic anatomically correct body.
In this lesson I'll show you some simple body formulas you can use, and how some of those formulas can be modified to draw some slightly more naturalistic looking body shapes. We'll go over:
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When it comes to cartoon body shapes, anything goes. Start with basic shapes: Squares, Circles, Triangles. Pull them, push them, make them interesting:
Stick heads arms and legs off of them, and you've got a cartoon body. It's really dead simple. If you want it too look more solid, add solidity. Give it form.:
By far, the most commonly used cartoon body shape is The Bean. Another helpful shape that I personally like to use is a modification of The Bean, I'll call, The Bullet. It's a shape I learned from my favorite Figure Drawing teacher, Steve Huston. So let me explain these shapes.
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The Bean is exactly what it sounds like. It looks like a bean. It's made up of two spheres. One on top, one on the bottom, separated by a small space, connected by lines on the side. What you end up with is a modified cylinder of sorts. When it bends, it looks like a bean. This shape is meant to represent the torso and hip area together.
The usefulness of The Bean comes from it's flexibility. It can be bent, stretched and twisted easily. It can also be modified to create many different types of torso shapes. It's a fairly standard shape for most traditional, western, animated cartoon characters, from Mickey Mouse and his gang to the Looney Tunes characters.
And once you get used to the simple Bean made of two spheres, you can change those shapes to cubes, cones, cylinders and wedges to make even more varied body shapes:
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The Bullet is similar to the The Bean. However, it's just a tad more complicated. It's made up of two shapes, a bullet shaped cylinder facing down, inserted into a soft cornered box hip area. The idea is that the bottom round bullet part of the upper shape immediately creates the shape of the abdominal muscles adding an anatomical feel to your drawing from the start.
If The Bullet is difficult to grasp, you can first start with The Bean and once you have it the way you want, you can convert it to The Bullet after, as you will see in a moment.
This shape is best used when drawing more naturalistic, anatomical cartoon characters such as anime or action adventure characters. But it can also be use to supplement a modified Bean shape to add more naturalism to an exaggerated cartoon shape:
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When drawing either The Bean or The Bullet from the side view, don't forget to make sure to the natural rhythms for the body to get a naturalistic convincing look to your characters.
If you're going to add a bit of convincing naturalism to your cartoons, whether it's to add some pecks or breasts, you'll want to have a simple chest formula to work with.
But what if you want to draw a female chest area? Well, it's pretty much the same thing with some slight adjustments:
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Whether your hip area is more box like or cube like, once you're ready to define it more, you can turn into, what I call, the underwear shape. It reminds me of men's briefs.
This shape is not unique to me. I got this from The Famous Artist School book on The Figure as well as Walt Reeds book on The Figure. I found this hip shape comes just as handy for cartoons as it does for naturalistic figures.
The reason is to better define where the legs will be inserted into the area. I'll show you how this helps once I start writing about the legs.
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Once you have these elements down, you can start modifying them to create all kinds of different body types and styles. You can make animals, different types of men, different types of women. It's up to you and your experimentation.
The Bean is pretty much the foundation to most of the Freddy Moore style. It's very easy to see in Looney Tune type characters and Mickey Mouse type. But you can also see a more advance, more naturalistic version of the style in Disney animated features.
Below is a Looney Tunes type body. I didn't add chest or bellybutton details because this body can be used to make bunnies, cats, dogs, mice...etc, as well as people:
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Male bodies that are in this more Disney type look, differ far more. so there isn't just one body formula that you can adjust from. However, the body type below should be helpful. Below is just one:
Similar to the Freddy Moore Style except I found that using The Bullet works best for these as a foundation. The construction would look something like this:
The most naturalistic version of the formula comes in play in this anime style. There's far less exaggeration here. The Bullet comes into it's own when drawing in this style. Let's begin with a female torso:
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And that's how you use The Bean and The Bullet to draw three different cartoon body types. As you can see, the formula is very versatile.
And that's that. You should be able to draw any type of cartoon body you want with the info I've given to you. Remember, the more you know real anatomy, the better your final drawings will be.The pleasure of creating a cartoon character is immeasurable. The act of building and developing a character is not just linked to the construction of the figure: each character has its own shape, personality and attributes.
It's OK if you already know about the proportions of the head and about facial expressions. But that knowledge is useless if you don't know how to build their bodies!
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The artist must take into consideration these qualities in order to build a character that is plausible in the eye of the audience. To get some inspiration, have a look at the hundreds of character s on Envato Elements. Or for a shortcut, try a character creation kit!
When creating characters, I recommend the use of rough sketches before hand. This will provide you with the perfect direction of style and nature of your character.
That being said, the steps that we follow today are quiet simple. First, draw the basic shape of the figure and then go adding features and other details of the body. This is a procedure that should be followed regardless of your character to be a human, an animal or even an object that you want to bring to life (eg, make a smiling cup).
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Every drawing you will make depends on the sketch phase. During this stage, you will refine your draft until the end result pleases you completely.
Once you have defined your ideal proportions, the next step is to develop the expressions of body movement, hands and legs. Hands even can tell a complete story with only one position.
Briefly, there is no mystery to the cartoon process. 95% of artists build the characters and their moves through specific blocks, because it simply makes the process a lot easier!
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Proportion is the most important factor to consider in building a cartoon character. The artist should keep in mind the relative size of body parts, because it's based on them we'll define the structural features of our characters. For example, the bully guy has a combative nature, therefore has a small head but his chest is prominent! His arms and legs are strong and well defined, as well as his big jaw. In contrast, a demure character is based on the proportions of a baby with a large head in comparison to body. And all of it in rounded shapes! Other features, such as the forehead and large eyes are responsible for defining their fragile personality. And so on...
Animated studios have the famous practice of using oval shapes to measure the height of a character. For example: A child usually has a head larger than the rest of the body measurements. But the adult has different proportions, which varies according to gender and physique of each character.
When ing (or animating) a character's entire body, it's recommended to keep several drawings of it on a separate piece of paper. Thus, it's possible to have a reference of his proportions to draw it in different poses and actions.
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It's important to draw your character in different positions, situations and clothing, until you can find the ideal body proportions for him.
Or similar objects - to build the body format, because of the association that generates inside everybody's head. Actually, this is a common technique among cartoon studios, since several different artists work on the same character and must maintain the correct
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