If you’ve used Adobe Illustrator before, you’re no stranger to the five available shapes you can use to create artwork. And you’re also probably familiar with the situation where you start stacking different shapes on top of each other to create a custom shape.
Sometimes that works out just fine. But other times, for instance, when you’re trying to add an outline to your object, having multiple shapes stacked on top of one another causes problems.
Guess what? There’s actually a way to combine your shapes into one object, giving you a much cleaner and simplified solution. The secret: the Pathfinder Panel. Not only can you combine shapes, but you have 10 different options for combining them.
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To show you how each of the 10 modes work, I’ve made these nice little abstract objects that consist of two squares and two diamonds (all with white outlines) stacked on top of each other. We’ll go through each of the Pathfinder Panel’s modes (left to right, top to bottom) so you can see the difference each mode makes.
On the left, I used the Unite option. Just as it sounds, the will unite your shapes into one single object, using the outermost edges. Notice how it selects just one color — it automatically selects the color from the frontmost shape. But now that it’s just one object, you can easily change that.
The shape on the right was created with the Minus Front mode. Basically any space where two or more shapes overlap will be deleted, leaving only parts of the back shape. This maintains the same color as the last shape in your original stack.
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The Intersect option will leave you with only the section where all shapes in your stack overlap. Again, this will automatically select the front-most color.
The Exclude option is kind of a mix between the Unite, Minus Front, and Intersect options. Like Unite, Exclude will combine your shapes using the outermost edges. But every other layer, where the shapes intersect, that portion will be deleted. It’s complex, but can create some very interesting objects.
The Divide option actually separates each little piece of the object. Notice how many more outlines there are — those are the “pieces” that can now be accessed individually. The Divide mode will automatically group everything, so it’s one single object, but if you ungroup it, then you can access those individual pieces. This gives you a lot more control over each small section of your object.
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The Trim tool is similar in that it separates your shapes into smaller pieces, but it’s a more simplified version. And notice how the outlines have disappeared completely. It still automatically groups the object, but you can ungroup it to access certain parts of the shape.
Before you accuse me of making a mistake here, yes, the shape on the left is the Merge Tool, and it is different than the Trim tool. Not by much, but technically it is different. Here, shapes with the same color that are touching are merged together. So in this example, the two blue squares are now one shape. Otherwise, it’s basically the same as the Trim Tool.
The next tool, Crop, takes the overall shape of the frontmost shape in your stack. Colors beneath that, however, will show through. Here, you’ll also be able to ungroup the final object, to select the pieces inside.
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The Outline tool will leave just the outlines of your shapes. While you could achieve this same appearance by giving your objects no fill color, using the Outline tool will allow you to select individual paths (you guessed it, by ungrouping).
The final option for combining your shapes is the Minus Back option. Unlike the other options, I could only select two layers (instead of all four) to make this work. I selected the back two shapes, and you can see that the back shape, and anywhere they overlapped, was deleted.
If you enjoy creating your own shapes in Illustrator, understanding the Pathfinder Panel will open up so many new roads for you as a designer. As you can see, these 10 options will give you many more ways to create objects and will help you to achieve some really unique and creative solutions.
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WP Engine collects and stores your information to better customize your site experience and to optimize our website. However, your consent is required before we can provide this free service. Privacy PolicyDiscover how easy it is to build your artwork in Adobe Illustrator with simple vector shapes that you can reshape, combine, and color to make eye-catching illustrations.
You can create a variety of primitive shapes with the vector Shape tools in Illustrator. Press and hold the Rectangle tool to view all the Shape tools, and then select the Rectangle tool. Drag on the artboard to draw a rectangle. As you drag, look for a diagonal magenta guide that shows a perfect square.
Press and hold the Rectangle tool in the Toolbar and select the Polygon tool. Click the artboard, and in the dialog box that opens, type the number of sides for your shape — for example, type 6 to create a hexagon.
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Draw some overlapping shapes. Switch to the Selection tool and drag a selection marquee around all the shapes to select them. Select the Shape Builder tool and drag a line through all the shapes you want to unite into one shape.
It’s just as easy to break apart and erase parts of overlapping shapes. Select all the shapes. With the Shape Builder tool, click any part you want to punch out as with a cookie cutter. Don’t worry if it still looks the same; you’ve divided them into separate pieces.
To color an object, you assign it a fill color, a stroke color, or both. Similar to working in a coloring book, a fill adds color to the area inside a path or shape, while a stroke outlines it.
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Use the Fill and Stroke color boxes in the Toolbar — you edit them one at a time and the highlight shows which box is active. Select an object and double-click the Fill or Stroke color box.
Select Hue (H). Move the rainbow slider (1) up or down to pick a color range, and then move the round marker on the left (2) to adjust the brightness and intensity. When you’re happy with the way it looks, click OK.
You can always remove an object’s fill or stroke — just click the None button shown with a red line. Press X or click the double-headed arrow to swap the fill and stroke colors instantly.
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Try to apply the skills you’ve learned to draw all kinds of objects and add character to your illustration. See Take text to the next level to learn how to make striking illustrations with text.
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